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lunarphobia:

Grimes, Pitchfork 2014.

okay, I’ll go back to lilac now

begintheflames:

Alex Turner and Arielle Vandenberg
begintheflames:

So i made this and I’m proud of it don’t change the source please

buttsweats:

where i work we rent out a variety of buildings and to make a long story short i’m going to hell

fiftyshadesofcara:

cara blog

The song recounts a specific sexual assault (“One of the most shattering experiences of my life,” Grimes, who was born in Vancouver as Claire Boucher, told SPIN in 2012) by describing the psychic fallout: “And never walk about after dark/ It’s my point of view/ Because someone could break your neck/ Coming up behind you always coming and you’d never have a clue,” she lisps in her high, pinched voice. It’s a dazzling, paralyzing performance, in part because Boucher sounds almost playful, and in part because the skronking behind her—the song’s springy, propulsive synth line was one of 2012’s most unforgettable—indicates something other than victimization. “See you on a dark night,” Boucher repeats. […] But what “Oblivion” ultimately offers is victory. It’s the sound of one woman turning personal devastation into not just a career-making single, but a lasting anthem of transformation.

Grimes’ Oblivion is the best song of the decade - so far.

arcticmonkeys-news:

Jamie. (x)